<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-8530751255749067668</id><updated>2011-06-14T23:20:26.195-07:00</updated><title type='text'>Figuration Libre France USA</title><subtitle type='html'>visuels extrait de la conférence "Figuration Libre France USA" par Hervé Perdriolle</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://figuration-libre-paris-ny.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8530751255749067668/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://figuration-libre-paris-ny.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Hervé Perdriolle</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>1</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-8530751255749067668.post-5963814904026239257</id><published>2007-02-23T09:36:00.000-08:00</published><updated>2009-03-19T03:51:07.290-07:00</updated><title type='text'></title><content type='html'>&lt;img id="BLOGGER_PHOTO_ID_5035145415500834466" style="CURSOR: hand" alt="" src="http://3.bp.blogspot.com/_PLngU5D_Mgg/ReBuE_tdJqI/AAAAAAAAAsg/jol47o1h7h4/s200/arc+blanchard.jpg" border="0" /&gt;&lt;br /&gt;Rémi Blanchard, Figuration Libre, France/USA, ARC, MAM Paris 1984&lt;br /&gt;&lt;br /&gt;&lt;img id="BLOGGER_PHOTO_ID_5035145346781357714" style="CURSOR: hand" alt="" src="http://3.bp.blogspot.com/_PLngU5D_Mgg/ReBuA_tdJpI/AAAAAAAAAsY/FYjrWaoA5ks/s200/arc+blanchard+a.jpg" border="0" /&gt;&lt;br /&gt;Rémi Blanchard, Figuration Libre, France/USA, ARC, MAM Paris 1984&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_PLngU5D_Mgg/ReBt-PtdJoI/AAAAAAAAAsQ/MyNQYlmIEKI/s1600-h/arc+blanchard+b.jpg" target="_blank"&gt;&lt;img id="BLOGGER_PHOTO_ID_5035145299536717442" style="CURSOR: hand" alt="" src="http://4.bp.blogspot.com/_PLngU5D_Mgg/ReBt-PtdJoI/AAAAAAAAAsQ/MyNQYlmIEKI/s200/arc+blanchard+b.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Rémi Blanchard, Figuration Libre, France/USA, ARC, MAM Paris 1984&lt;br /&gt;&lt;br /&gt;&lt;img id="BLOGGER_PHOTO_ID_5035145243702142578" style="CURSOR: hand" alt="" src="http://3.bp.blogspot.com/_PLngU5D_Mgg/ReBt6_tdJnI/AAAAAAAAAsI/cguIZ8qrf2Q/s200/arc+boisrond+c.jpg" border="0" /&gt;&lt;br /&gt;François Boisrond, Figuration Libre, France/USA, ARC, MAM Paris 1984&lt;br /&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_PLngU5D_Mgg/ReBt2_tdJmI/AAAAAAAAAsA/qpXmkXaGH8E/s1600-h/arc+boisrond+d.jpg" target="_blank"&gt;&lt;img id="BLOGGER_PHOTO_ID_5035145174982665826" style="CURSOR: hand" alt="" src="http://3.bp.blogspot.com/_PLngU5D_Mgg/ReBt2_tdJmI/AAAAAAAAAsA/qpXmkXaGH8E/s200/arc+boisrond+d.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;François Boisrond, Figuration Libre, France/USA, ARC, MAM Paris 1984&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_PLngU5D_Mgg/ReBtvftdJlI/AAAAAAAAAr4/rRjXgsg-9mE/s1600-h/arc+combas.jpg" target="_blank"&gt;&lt;img id="BLOGGER_PHOTO_ID_5035145046133646930" style="CURSOR: hand" alt="" src="http://1.bp.blogspot.com/_PLngU5D_Mgg/ReBtvftdJlI/AAAAAAAAAr4/rRjXgsg-9mE/s200/arc+combas.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Robert Combas, Figuration Libre, France/USA, ARC, MAM Paris 1984&lt;br /&gt;&lt;br /&gt;&lt;img id="BLOGGER_PHOTO_ID_5035144857155085874" style="CURSOR: hand" alt="" src="http://1.bp.blogspot.com/_PLngU5D_Mgg/ReBtkftdJjI/AAAAAAAAAro/ugwL0meSLos/s200/arc+combas+rf.jpg" border="0" /&gt;&lt;br /&gt;Robert Combas, Figuration Libre, France/USA, ARC, MAM Paris 1984&lt;br /&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_PLngU5D_Mgg/ReBtgvtdJiI/AAAAAAAAArg/9a7xc-hJcg4/s1600-h/arc+di+rosa+c.jpg" target="_blank"&gt;&lt;img id="BLOGGER_PHOTO_ID_5035144792730576418" style="CURSOR: hand" alt="" src="http://2.bp.blogspot.com/_PLngU5D_Mgg/ReBtgvtdJiI/AAAAAAAAArg/9a7xc-hJcg4/s200/arc+di+rosa+c.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Hervé Di Rosa, Figuration Libre, France/USA, ARC, MAM Paris 1984&lt;br /&gt;&lt;br /&gt;&lt;img id="BLOGGER_PHOTO_ID_5035144702536263186" style="CURSOR: hand" alt="" src="http://1.bp.blogspot.com/_PLngU5D_Mgg/ReBtbftdJhI/AAAAAAAAArY/OIGMBhZ5WmU/s200/arc+haring+c.jpg" border="0" /&gt;&lt;br /&gt;Keith Haring, Figuration Libre, France/USA, ARC, MAM Paris 1984&lt;br /&gt;&lt;br /&gt;&lt;img id="BLOGGER_PHOTO_ID_5035144487787898354" style="CURSOR: hand" alt="" src="http://3.bp.blogspot.com/_PLngU5D_Mgg/ReBtO_tdJfI/AAAAAAAAArI/T3YglqFE2W4/s200/arc+haring+d.jpg" border="0" /&gt;&lt;br /&gt;Keith Haring, Figuration Libre, France/USA, ARC, MAM Paris 1984&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_PLngU5D_Mgg/ReBtLPtdJeI/AAAAAAAAArA/5kg-40hmw-s/s1600-h/arc+haring+e.jpg" target="_blank"&gt;&lt;img id="BLOGGER_PHOTO_ID_5035144423363388898" style="CURSOR: hand" alt="" src="http://4.bp.blogspot.com/_PLngU5D_Mgg/ReBtLPtdJeI/AAAAAAAAArA/5kg-40hmw-s/s200/arc+haring+e.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Keith Haring, Figuration Libre, France/USA, ARC, MAM Paris 1984&lt;br /&gt;&lt;br /&gt;&lt;img id="BLOGGER_PHOTO_ID_5035144217204958658" style="CURSOR: hand" alt="" src="http://4.bp.blogspot.com/_PLngU5D_Mgg/ReBs_PtdJcI/AAAAAAAAAqw/2GsYhGt1Eio/s200/arc+haring+f.jpg" border="0" /&gt;&lt;br /&gt;Keith Haring, Figuration Libre, France/USA, ARC, MAM Paris 1984&lt;br /&gt;&lt;br /&gt;&lt;img id="BLOGGER_PHOTO_ID_5035144157075416498" style="CURSOR: hand" alt="" src="http://2.bp.blogspot.com/_PLngU5D_Mgg/ReBs7vtdJbI/AAAAAAAAAqo/InOKYsayWsk/s200/arc+haring+g.jpg" border="0" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img id="BLOGGER_PHOTO_ID_5035144096945874338" style="CURSOR: hand" alt="" src="http://4.bp.blogspot.com/_PLngU5D_Mgg/ReBs4PtdJaI/AAAAAAAAAqg/RGppGLIFERk/s200/arc+haring+h.jpg" border="0" /&gt;&lt;br /&gt;Affiche dessinée par Keith Haring dans le métro parisien (station Alma) en 1984&lt;br /&gt;à l’occasion de l’exposition « 5/5, Figuration Libre, France/USA », photo T.J. Valès&lt;br /&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_PLngU5D_Mgg/ReBsy_tdJZI/AAAAAAAAAqY/XVENkq1Gof0/s1600-h/arc+jammes.jpg" target="_blank"&gt;&lt;img id="BLOGGER_PHOTO_ID_5035144006751561106" style="CURSOR: hand" alt="" src="http://3.bp.blogspot.com/_PLngU5D_Mgg/ReBsy_tdJZI/AAAAAAAAAqY/XVENkq1Gof0/s200/arc+jammes.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Louis Jammes, Figuration Libre, France/USA, ARC, MAM Paris 1984&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_PLngU5D_Mgg/ReBsuPtdJYI/AAAAAAAAAqQ/hlsF6VVWHq8/s1600-h/arc+kwong.jpg" target="_blank"&gt;&lt;img id="BLOGGER_PHOTO_ID_5035143925147182466" style="CURSOR: hand" alt="" src="http://4.bp.blogspot.com/_PLngU5D_Mgg/ReBsuPtdJYI/AAAAAAAAAqQ/hlsF6VVWHq8/s200/arc+kwong.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Tseng Kwong Chi, Figuration Libre, France/USA, ARC, MAM Paris 1984&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_PLngU5D_Mgg/ReBsqPtdJXI/AAAAAAAAAqI/mR1U8rur0h8/s1600-h/arc+tseng+haring.jpg" target="_blank"&gt;&lt;img id="BLOGGER_PHOTO_ID_5035143856427705714" style="CURSOR: hand" alt="" src="http://4.bp.blogspot.com/_PLngU5D_Mgg/ReBsqPtdJXI/AAAAAAAAAqI/mR1U8rur0h8/s200/arc+tseng+haring.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Tseng Kwong Chi et Keith Haring, Figuration Libre, France/USA, ARC, MAM Paris 1984&lt;br /&gt;&lt;br /&gt;&lt;img id="BLOGGER_PHOTO_ID_5035143757643457890" style="CURSOR: hand" alt="" src="http://1.bp.blogspot.com/_PLngU5D_Mgg/ReBskftdJWI/AAAAAAAAAqA/ovxOsWVRdho/s200/basquiat.jpg" border="0" /&gt;&lt;br /&gt;Jean-Michel Basquiat&lt;br /&gt;&lt;br /&gt;&lt;img id="BLOGGER_PHOTO_ID_5035143658859210066" style="CURSOR: hand" alt="" src="http://2.bp.blogspot.com/_PLngU5D_Mgg/ReBsevtdJVI/AAAAAAAAAp4/qqr6POz5HLI/s200/basquiat+black.jpg" border="0" /&gt;&lt;br /&gt;Jean-Michel Basquiat, Flexible, 1984&lt;br /&gt;&lt;br /&gt;&lt;img id="BLOGGER_PHOTO_ID_5035143585844766018" style="CURSOR: hand" alt="" src="http://1.bp.blogspot.com/_PLngU5D_Mgg/ReBsaftdJUI/AAAAAAAAApw/LkxqS3Zx0Ko/s200/basquiat+boxeur.jpg" border="0" /&gt;&lt;br /&gt;Jean-Michel Basquiat&lt;br /&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_PLngU5D_Mgg/ReBsWvtdJTI/AAAAAAAAApo/Qbal3648rjg/s1600-h/basquiat+fun+gallery.jpg" target="_blank"&gt;&lt;img id="BLOGGER_PHOTO_ID_5035143521420256562" style="CURSOR: hand" alt="" src="http://2.bp.blogspot.com/_PLngU5D_Mgg/ReBsWvtdJTI/AAAAAAAAApo/Qbal3648rjg/s200/basquiat+fun+gallery.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Jean-Michel Basquiat, Fun Gallery 1982&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_PLngU5D_Mgg/ReBsTPtdJSI/AAAAAAAAApg/s2FKlb0xeoY/s1600-h/basquiat+jammes.jpg" target="_blank"&gt;&lt;img id="BLOGGER_PHOTO_ID_5035143461290714402" style="CURSOR: hand" alt="" src="http://4.bp.blogspot.com/_PLngU5D_Mgg/ReBsTPtdJSI/AAAAAAAAApg/s2FKlb0xeoY/s200/basquiat+jammes.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Jean-Michel Basquiat photographié par Louis Jammes, 1986&lt;br /&gt;&lt;br /&gt;&lt;img id="BLOGGER_PHOTO_ID_5035143414046074130" style="CURSOR: hand" alt="" src="http://1.bp.blogspot.com/_PLngU5D_Mgg/ReBsQftdJRI/AAAAAAAAApY/Wsxtil2mgLU/s200/basquiat+MASQUE.JPG" border="0" /&gt;&lt;br /&gt;Jean-Michel Basquiat, 1987&lt;br /&gt;&lt;br /&gt;&lt;img id="BLOGGER_PHOTO_ID_5035143349621564674" style="CURSOR: hand" alt="" src="http://2.bp.blogspot.com/_PLngU5D_Mgg/ReBsMvtdJQI/AAAAAAAAApQ/HHe0uT-QdPk/s200/basquiat+nosei.jpg" border="0" /&gt;&lt;br /&gt;Annina Noseï et Jean-Michel Basquiat, New York 1982&lt;br /&gt;&lt;br /&gt;&lt;img id="BLOGGER_PHOTO_ID_5035143272312153330" style="CURSOR: hand" alt="" src="http://4.bp.blogspot.com/_PLngU5D_Mgg/ReBsIPtdJPI/AAAAAAAAApI/tU6gfTkeR90/s200/basquiat+robinson.jpg" border="0" /&gt;&lt;br /&gt;Jean-Michel Basquiat, 1982&lt;br /&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_PLngU5D_Mgg/ReBsF_tdJOI/AAAAAAAAApA/bL8XQNZh4Mg/s1600-h/basquiat+warhol+clemente.jpg" target="_blank"&gt;&lt;img id="BLOGGER_PHOTO_ID_5035143233657447650" style="CURSOR: hand" alt="" src="http://3.bp.blogspot.com/_PLngU5D_Mgg/ReBsF_tdJOI/AAAAAAAAApA/bL8XQNZh4Mg/s200/basquiat+warhol+clemente.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Warhol, Basquiat et Clemente, Zurich 1984.&lt;br /&gt;Couverture du New York Times Magazine, 1985&lt;br /&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_PLngU5D_Mgg/ReBsAvtdJNI/AAAAAAAAAo4/HzQ-soe9saw/s1600-h/bl+boisrond.png" target="_blank"&gt;&lt;img id="BLOGGER_PHOTO_ID_5035143143463134418" style="CURSOR: hand" alt="" src="http://2.bp.blogspot.com/_PLngU5D_Mgg/ReBsAvtdJNI/AAAAAAAAAo4/HzQ-soe9saw/s200/bl+boisrond.png" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;François Boisrond, 1980&lt;br /&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_PLngU5D_Mgg/ReBr5vtdJMI/AAAAAAAAAow/3bCpkHemqhE/s1600-h/bl+four+fantastics.png" target="_blank"&gt;&lt;img id="BLOGGER_PHOTO_ID_5035143023204050114" style="CURSOR: hand" alt="" src="http://2.bp.blogspot.com/_PLngU5D_Mgg/ReBr5vtdJMI/AAAAAAAAAow/3bCpkHemqhE/s200/bl+four+fantastics.png" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Rémi Blanchard, Hervé Di Rosa, Robert Combes et François Boisrond, Cahors 1988, fresque collective, photo Alain Bizos&lt;br /&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_PLngU5D_Mgg/ReBrv_tdJLI/AAAAAAAAAoo/TmGbHoqRP3w/s1600-h/bl+herve+di+rosa.png" target="_blank"&gt;&lt;img id="BLOGGER_PHOTO_ID_5035142855700325554" style="CURSOR: hand" alt="" src="http://3.bp.blogspot.com/_PLngU5D_Mgg/ReBrv_tdJLI/AAAAAAAAAoo/TmGbHoqRP3w/s200/bl+herve+di+rosa.png" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Hervé Di Rosa, 1981&lt;br /&gt;&lt;br /&gt;&lt;img id="BLOGGER_PHOTO_ID_5035142683901633698" style="CURSOR: hand" alt="" src="http://3.bp.blogspot.com/_PLngU5D_Mgg/ReBrl_tdJKI/AAAAAAAAAog/V17oykDKjAc/s200/bl+remi+blanchard.png" border="0" /&gt;&lt;br /&gt;Rémi Blanchard, acrylique sur carton, 1981&lt;br /&gt;&lt;br /&gt;&lt;img id="BLOGGER_PHOTO_ID_5035142533577778322" style="CURSOR: hand" alt="" src="http://4.bp.blogspot.com/_PLngU5D_Mgg/ReBrdPtdJJI/AAAAAAAAAoY/dKQzSQMexuk/s200/bl+robert+combas.png" border="0" /&gt;&lt;br /&gt;Robert Combas, 1981&lt;br /&gt;&lt;br /&gt;&lt;img id="BLOGGER_PHOTO_ID_5035138376049435778" style="CURSOR: hand" alt="" src="http://4.bp.blogspot.com/_PLngU5D_Mgg/ReBnrPtdJII/AAAAAAAAAmM/H50yNXLOCe4/s200/blanchard.jpg" border="0" /&gt;&lt;br /&gt;Rémi Blanchard, San Francisco&lt;br /&gt;&lt;br /&gt;&lt;img id="BLOGGER_PHOTO_ID_5035138320214860914" style="CURSOR: hand" alt="" src="http://3.bp.blogspot.com/_PLngU5D_Mgg/ReBnn_tdJHI/AAAAAAAAAmE/pXpIxOm55e8/s200/blanchard+cerf.jpg" border="0" /&gt;&lt;br /&gt;Rémi Blanchard, Cerf 1981&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_PLngU5D_Mgg/ReBnkftdJGI/AAAAAAAAAl8/s2eqOEkKbr8/s1600-h/blanchard+cerfs.jpg" target="_blank"&gt;&lt;img id="BLOGGER_PHOTO_ID_5035138260085318754" style="CURSOR: hand" alt="" src="http://1.bp.blogspot.com/_PLngU5D_Mgg/ReBnkftdJGI/AAAAAAAAAl8/s2eqOEkKbr8/s200/blanchard+cerfs.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Rémi Blanchard, Le cheval devint son esclave et le cerf garda sa liberté, 1991&lt;br /&gt;&lt;br /&gt;&lt;img id="BLOGGER_PHOTO_ID_5035138187070874706" style="CURSOR: hand" alt="" src="http://4.bp.blogspot.com/_PLngU5D_Mgg/ReBngPtdJFI/AAAAAAAAAl0/Fi4cfmzQUHI/s200/blanchard+cosmos.jpg" border="0" /&gt;&lt;br /&gt;Rémi Blanchard,&lt;br /&gt;&lt;br /&gt;&lt;img id="BLOGGER_PHOTO_ID_5035138118351397954" style="CURSOR: hand" alt="" src="http://4.bp.blogspot.com/_PLngU5D_Mgg/ReBncPtdJEI/AAAAAAAAAls/tUOHLSZTLuY/s200/blanchard+jammes.jpg" border="0" /&gt;&lt;br /&gt;Rémi Blanchard photographié par Louis Jammes, 1984&lt;br /&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_PLngU5D_Mgg/ReBnWvtdJDI/AAAAAAAAAlk/rQX_Gf77MN4/s1600-h/blanchard+kerouac.jpg" target="_blank"&gt;&lt;img id="BLOGGER_PHOTO_ID_5035138023862117426" style="CURSOR: hand" alt="" src="http://2.bp.blogspot.com/_PLngU5D_Mgg/ReBnWvtdJDI/AAAAAAAAAlk/rQX_Gf77MN4/s200/blanchard+kerouac.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Rémi Blanchard, Hommage à Kerouac&lt;br /&gt;&lt;br /&gt;&lt;img id="BLOGGER_PHOTO_ID_5035137972322509858" style="CURSOR: hand" alt="" src="http://2.bp.blogspot.com/_PLngU5D_Mgg/ReBnTvtdJCI/AAAAAAAAAlc/QtYPae5EjNk/s200/blanchard+lion.jpg" border="0" /&gt;&lt;br /&gt;Rémi Blanchard,&lt;br /&gt;&lt;br /&gt;&lt;img id="BLOGGER_PHOTO_ID_5035137886423163922" style="CURSOR: hand" alt="" src="http://2.bp.blogspot.com/_PLngU5D_Mgg/ReBnOvtdJBI/AAAAAAAAAlU/HLC0Gmga5tU/s200/blanchard+matisse.jpg" border="0" /&gt;&lt;br /&gt;Rémi Blanchard, Femme aux lys, 1988&lt;br /&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_PLngU5D_Mgg/ReBnK_tdJAI/AAAAAAAAAlM/8eU56FrQCgk/s1600-h/blanchard+pleurs.jpg" target="_blank"&gt;&lt;img id="BLOGGER_PHOTO_ID_5035137821998654466" style="CURSOR: hand" alt="" src="http://3.bp.blogspot.com/_PLngU5D_Mgg/ReBnK_tdJAI/AAAAAAAAAlM/8eU56FrQCgk/s200/blanchard+pleurs.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Rémi Blanchard, Pleurs de plumes, 1990&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_PLngU5D_Mgg/ReBnHPtdI_I/AAAAAAAAAlE/0pjWhYhS-Mc/s1600-h/blanchard+plumes.jpg" target="_blank"&gt;&lt;img id="BLOGGER_PHOTO_ID_5035137757574145010" style="CURSOR: hand" alt="" src="http://4.bp.blogspot.com/_PLngU5D_Mgg/ReBnHPtdI_I/AAAAAAAAAlE/0pjWhYhS-Mc/s200/blanchard+plumes.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Rémi Blanchard, &lt;em&gt;« Dormir, la lune dans un œil et le soleil dans l’autre.&lt;br /&gt;Un amour dans la bouche, un bel oiseau dans les cheveux… »&lt;br /&gt;Paul Eluard, Capitale de la douleur, 1926&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;img id="BLOGGER_PHOTO_ID_5035137701739570146" style="CURSOR: hand" alt="" src="http://3.bp.blogspot.com/_PLngU5D_Mgg/ReBnD_tdI-I/AAAAAAAAAk8/yOtn8Fcw6Dg/s200/blanchard+saltimbanques.jpg" border="0" /&gt;&lt;br /&gt;Rémi Blanchard,&lt;br /&gt;&lt;br /&gt;&lt;img id="BLOGGER_PHOTO_ID_5035137637315060690" style="CURSOR: hand" alt="" src="http://4.bp.blogspot.com/_PLngU5D_Mgg/ReBnAPtdI9I/AAAAAAAAAk0/Zf_g8svsZKk/s200/blanchard+san+francisco.jpg" border="0" /&gt;&lt;br /&gt;Rémi Blanchard,&lt;br /&gt;&lt;br /&gt;&lt;img id="BLOGGER_PHOTO_ID_5035137315192513458" style="CURSOR: hand" alt="" src="http://1.bp.blogspot.com/_PLngU5D_Mgg/ReBmtftdI7I/AAAAAAAAAkk/5OwRa7RxtO0/s200/blancs+manteaux.png" border="0" /&gt;&lt;br /&gt;François Boisrond, Rémi Blanchard, Hervé Di Rosa et Catherine Viollet, « To End in a Believe of Glory », Espace des Blancs Mantaux, Paris, octobre 1981, photo Hervé Perdriolle&lt;br /&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_PLngU5D_Mgg/ReBm3_tdI8I/AAAAAAAAAks/I41liuMQ4YE/s1600-h/blancs+manteaux+a.png" target="_blank"&gt;&lt;img id="BLOGGER_PHOTO_ID_5035137495581139906" style="CURSOR: hand" alt="" src="http://3.bp.blogspot.com/_PLngU5D_Mgg/ReBm3_tdI8I/AAAAAAAAAks/I41liuMQ4YE/s200/blancs+manteaux+a.png" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;« To End in a Believe of Glory », Espace des Blancs Mantaux, Paris, octobre 1981, photo Georges Rousse (peintures de Blanchard, Boisrond, Combas, Boisrond, Viollet)&lt;br /&gt;&lt;br /&gt;&lt;img id="BLOGGER_PHOTO_ID_5035137199228396450" style="CURSOR: hand" alt="" src="http://2.bp.blogspot.com/_PLngU5D_Mgg/ReBmmvtdI6I/AAAAAAAAAkc/08KKrGn_Hv0/s200/blancs+manteaux+b.png" border="0" /&gt;&lt;br /&gt;« To End in a Believe of Glory », Espace des Blancs Mantaux, Paris, octobre 1981, photo Georges Rousse (peintures d'Hervé Di Rosa)&lt;br /&gt;&lt;br /&gt;&lt;img id="BLOGGER_PHOTO_ID_5035137057494475666" style="CURSOR: hand" alt="" src="http://1.bp.blogspot.com/_PLngU5D_Mgg/ReBmeftdI5I/AAAAAAAAAkU/GW7iZ7bMitA/s200/blancs+manteaux+c.png" border="0" /&gt;&lt;br /&gt;« To End in a Believe of Glory », Espace des Blancs Mantaux, Paris, octobre 1981, photo Georges Rousse (peintures de, à gauche : Combas, en haut : Blanchard, en bas : Viollet)&lt;br /&gt;&lt;br /&gt;&lt;img id="BLOGGER_PHOTO_ID_5035136911465587586" style="CURSOR: hand" alt="" src="http://3.bp.blogspot.com/_PLngU5D_Mgg/ReBmV_tdI4I/AAAAAAAAAkM/CqEeye8WQPY/s200/blancs+manteaux+d.png" border="0" /&gt;&lt;br /&gt;« To End in a Believe of Glory », Espace des Blancs Mantaux, Paris, octobre 1981, photo Georges Rousse&lt;br /&gt;&lt;br /&gt;&lt;img id="BLOGGER_PHOTO_ID_5035136795501470578" style="CURSOR: hand" alt="" src="http://4.bp.blogspot.com/_PLngU5D_Mgg/ReBmPPtdI3I/AAAAAAAAAkE/9U9RaN_OqD0/s200/boisrond+musee+homme.jpg" border="0" /&gt;&lt;br /&gt;François Boisrond, Musée de l'Homme, 1978&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_PLngU5D_Mgg/ReBmLPtdI2I/AAAAAAAAAj8/f8OqYEF-0y4/s1600-h/boisrond+home.jpg" target="_blank"&gt;&lt;img id="BLOGGER_PHOTO_ID_5035136726781993826" style="CURSOR: hand" alt="" src="http://4.bp.blogspot.com/_PLngU5D_Mgg/ReBmLPtdI2I/AAAAAAAAAj8/f8OqYEF-0y4/s200/boisrond+home.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;François Boisrond, Le petit déjeuner, 1989&lt;br /&gt;&lt;br /&gt;&lt;img id="BLOGGER_PHOTO_ID_5035136653767549778" style="CURSOR: hand" alt="" src="http://3.bp.blogspot.com/_PLngU5D_Mgg/ReBmG_tdI1I/AAAAAAAAAj0/oVapMreladY/s200/boisrond+house.jpg" border="0" /&gt;&lt;br /&gt;François Boisrond, La maison, 1986&lt;br /&gt;&lt;br /&gt;&lt;img id="BLOGGER_PHOTO_ID_5035136580753105730" style="CURSOR: hand" alt="" src="http://2.bp.blogspot.com/_PLngU5D_Mgg/ReBmCvtdI0I/AAAAAAAAAjs/vJYhw5u_P4Q/s200/boisrond+radiateur.jpg" border="0" /&gt;&lt;br /&gt;François Boisrond, Le radiateur, 1987&lt;br /&gt;&lt;br /&gt;&lt;img id="BLOGGER_PHOTO_ID_5035136507738661682" style="CURSOR: hand" alt="" src="http://1.bp.blogspot.com/_PLngU5D_Mgg/ReBl-ftdIzI/AAAAAAAAAjk/DWWOsSE_FVg/s200/boisrond+sida.jpg" border="0" /&gt;&lt;br /&gt;François Boisrond, projets pour le sigle du Sidaction&lt;br /&gt;&lt;br /&gt;&lt;img id="BLOGGER_PHOTO_ID_5035136396069511970" style="CURSOR: hand" alt="" src="http://3.bp.blogspot.com/_PLngU5D_Mgg/ReBl3_tdIyI/AAAAAAAAAjc/IQOrUOrEeQE/s200/boisrond+sidaction.jpg" border="0" /&gt;&lt;br /&gt;François Boisrond, sigle du Sidaction&lt;br /&gt;&lt;br /&gt;&lt;img id="BLOGGER_PHOTO_ID_5035136280105394962" style="CURSOR: hand" alt="" src="http://4.bp.blogspot.com/_PLngU5D_Mgg/ReBlxPtdIxI/AAAAAAAAAjU/h2zVRL1EJf8/s200/boisrond+train.jpg" border="0" /&gt;&lt;br /&gt;François Boisrond, La lecture, 1986&lt;br /&gt;&lt;br /&gt;&lt;img id="BLOGGER_PHOTO_ID_5035136181321147138" style="CURSOR: hand" alt="" src="http://1.bp.blogspot.com/_PLngU5D_Mgg/ReBlrftdIwI/AAAAAAAAAjM/8hIiPSCxXI0/s200/boisrond+window.jpg" border="0" /&gt;&lt;br /&gt;François Boisrond, Le vis-à-vis, 1989&lt;br /&gt;&lt;br /&gt;&lt;img id="BLOGGER_PHOTO_ID_5035136099716768498" style="CURSOR: hand" alt="" src="http://2.bp.blogspot.com/_PLngU5D_Mgg/ReBlmvtdIvI/AAAAAAAAAjE/jPREHnjUPds/s200/boisrond+zebulon.jpg" border="0" /&gt;&lt;br /&gt;François Boisrond, Zebulon et autres, 1989&lt;br /&gt;&lt;br /&gt;&lt;img id="BLOGGER_PHOTO_ID_5035135996637553378" style="CURSOR: hand" alt="" src="http://2.bp.blogspot.com/_PLngU5D_Mgg/ReBlgvtdIuI/AAAAAAAAAi8/pNE4Vuq9Yw8/s200/caen+blanchard.png" border="0" /&gt;&lt;br /&gt;Rémy Blanchard, toile de 8 x 4 m, atelier de fabrication de décor de la Comédie de Caen, 1982&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_PLngU5D_Mgg/ReBlZPtdItI/AAAAAAAAAi0/2PykmZ-TaSM/s1600-h/caen+blanchard+a.png" target="_blank"&gt;&lt;img id="BLOGGER_PHOTO_ID_5035135867788534482" style="CURSOR: hand" alt="" src="http://4.bp.blogspot.com/_PLngU5D_Mgg/ReBlZPtdItI/AAAAAAAAAi0/2PykmZ-TaSM/s200/caen+blanchard+a.png" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_PLngU5D_Mgg/ReBlS_tdIsI/AAAAAAAAAis/CgtwAW3b0cc/s1600-h/caen+boisrond+a.png" target="_blank"&gt;&lt;img id="BLOGGER_PHOTO_ID_5035135760414352066" style="CURSOR: hand" alt="" src="http://3.bp.blogspot.com/_PLngU5D_Mgg/ReBlS_tdIsI/AAAAAAAAAis/CgtwAW3b0cc/s200/caen+boisrond+a.png" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;François Boisrond, toile de 8 x 4 m, atelier de fabrication de décor de la Comédie de Caen, 1982&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_PLngU5D_Mgg/ReBlMftdIrI/AAAAAAAAAik/B0-EWbwI_SE/s1600-h/caen+boisrond+d.jpg" target="_blank"&gt;&lt;img id="BLOGGER_PHOTO_ID_5035135648745202354" style="CURSOR: hand" alt="" src="http://1.bp.blogspot.com/_PLngU5D_Mgg/ReBlMftdIrI/AAAAAAAAAik/B0-EWbwI_SE/s200/caen+boisrond+d.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;François Boisrond, toile de 8 x 4 m, atelier de fabrication de décor de la Comédie de Caen, 1982&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_PLngU5D_Mgg/ReBlGPtdIqI/AAAAAAAAAic/lRswP5vEZHQ/s1600-h/caen+combas.png" target="_blank"&gt;&lt;img id="BLOGGER_PHOTO_ID_5035135541371019938" style="CURSOR: hand" alt="" src="http://4.bp.blogspot.com/_PLngU5D_Mgg/ReBlGPtdIqI/AAAAAAAAAic/lRswP5vEZHQ/s200/caen+combas.png" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Robert Combas, toile de 8 x 4 m, atelier de fabrication de décor de la Comédie de Caen, 1982&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_PLngU5D_Mgg/ReBk_ftdIpI/AAAAAAAAAiU/lblHIa0L_Ys/s1600-h/caen+di+rosa.png" target="_blank"&gt;&lt;img id="BLOGGER_PHOTO_ID_5035135425406902930" style="CURSOR: hand" alt="" src="http://1.bp.blogspot.com/_PLngU5D_Mgg/ReBk_ftdIpI/AAAAAAAAAiU/lblHIa0L_Ys/s200/caen+di+rosa.png" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Hervé Di Rosa, toile de 8 x 4 m, atelier de fabrication de décor de la Comédie de Caen, 1982, photo Louis Jammes&lt;br /&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_PLngU5D_Mgg/ReBk3vtdIoI/AAAAAAAAAiM/P3XH0scCh7I/s1600-h/combas+afghanistan.jpg" target="_blank"&gt;&lt;img id="BLOGGER_PHOTO_ID_5035135292262916738" style="CURSOR: hand" alt="" src="http://2.bp.blogspot.com/_PLngU5D_Mgg/ReBk3vtdIoI/AAAAAAAAAiM/P3XH0scCh7I/s200/combas+afghanistan.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Robert Combas, Les Russes contre les Afghans, 1988, acrylique sur toile, 166x256 cm.&lt;br /&gt;&lt;br /&gt;&lt;img id="BLOGGER_PHOTO_ID_5034794508082815602" style="CURSOR: hand" alt="" src="http://4.bp.blogspot.com/_PLngU5D_Mgg/Rd8u7ftdInI/AAAAAAAAAgU/vzLBDLy0lNE/s200/combas+cocu.jpg" border="0" /&gt;&lt;br /&gt;Robert Combas, Bataille de couple Psychopatex avec amant volaille, 1988&lt;br /&gt;&lt;em&gt;Monsieur est très nerveux, dès qu’il est arrivé, après avoir posé son cartable, aussitôt qu’il a vu sa femme dans le lit avec un type, il a pris un gros couteau de cuisine et a foncé dans la chambre. Mais Madame est légèrement psychopathe sur les bords, donc dès qu’elle a vu le couteau briller dans les mains de son mari, elle a sorti le sien qui était planqué sous le lit. A la vue de ce changement de caractère chez sa maîtresse, l’amant, qui d’ailleurs ne la connaissait pas beaucoup, il l’avait rencontrée le soir même dans un troquet, commence à avoir la trouille et se planque sous les couvertures. Après trois ou quatre engueulades et quelques coups de couteau ratés, les deux époux se sont réconciliés, mais, étant donné qu’ils sont tous les deux dans une secte qui prône le retour au cannibalisme, ils ont charcuté l’amant et l’ont mangé à plusieurs sauces différentes. Ils ont même fait du boudin et du saucisson avec son sang.&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_PLngU5D_Mgg/Rd8u2PtdImI/AAAAAAAAAgM/78ABrL72zbw/s1600-h/combas+matisse.jpg" target="_blank"&gt;&lt;img id="BLOGGER_PHOTO_ID_5034794417888502370" style="CURSOR: hand" alt="" src="http://3.bp.blogspot.com/_PLngU5D_Mgg/Rd8u2PtdImI/AAAAAAAAAgM/78ABrL72zbw/s200/combas+matisse.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Robert Combas, Le Narcisse, 1987, acrylique sur toile, 177x268 cm.&lt;br /&gt;&lt;em&gt;Narcisse étendu à l'horizontale en train de se mirer la face à en prendre un TORTICOLE. Il est con ce Narcisse si il continue trop souvent, il va tomber dans l'eau et se noyer comme tous les Narcisses (...).&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_PLngU5D_Mgg/Rd8uwPtdIlI/AAAAAAAAAgE/eiMIh9oxv68/s1600-h/combas+mickey.jpg" target="_blank"&gt;&lt;img id="BLOGGER_PHOTO_ID_5034794314809287250" style="CURSOR: hand" alt="" src="http://3.bp.blogspot.com/_PLngU5D_Mgg/Rd8uwPtdIlI/AAAAAAAAAgE/eiMIh9oxv68/s200/combas+mickey.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Robert Combas, 50e Anniversaire of Mickey, 1978-1979&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_PLngU5D_Mgg/Rd8urftdIkI/AAAAAAAAAf8/TkEf97TVF5g/s1600-h/combas+narcisse.jpg" target="_blank"&gt;&lt;img id="BLOGGER_PHOTO_ID_5034794233204908610" style="CURSOR: hand" alt="" src="http://4.bp.blogspot.com/_PLngU5D_Mgg/Rd8urftdIkI/AAAAAAAAAf8/TkEf97TVF5g/s200/combas+narcisse.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Robert Combas, Hommage à Matisse et à Maïté, 1987&lt;br /&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_PLngU5D_Mgg/Rd8umPtdIjI/AAAAAAAAAf0/ohFITQdR2eA/s1600-h/combas+pearl+harbor.jpg" target="_blank"&gt;&lt;img id="BLOGGER_PHOTO_ID_5034794143010595378" style="CURSOR: hand" alt="" src="http://3.bp.blogspot.com/_PLngU5D_Mgg/Rd8umPtdIjI/AAAAAAAAAf0/ohFITQdR2eA/s200/combas+pearl+harbor.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Robert Combas, Pearl Harbour, 1988, acrylique sur toile, 226x254 cm.&lt;br /&gt;&lt;em&gt;Japs contre américano. Pris par surprise, les USA se feront massacrer. Ils ne croyaient pas « qu’ils auraient osé ». Les kamikases les ont baisés (...).&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_PLngU5D_Mgg/Rd8ufPtdIiI/AAAAAAAAAfs/KFRwpPBSeVA/s1600-h/combas+tati.jpg" target="_blank"&gt;&lt;img id="BLOGGER_PHOTO_ID_5034794022751511074" style="CURSOR: hand" alt="" src="http://3.bp.blogspot.com/_PLngU5D_Mgg/Rd8ufPtdIiI/AAAAAAAAAfs/KFRwpPBSeVA/s200/combas+tati.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Robert Combas, Tati, 1986&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_PLngU5D_Mgg/Rd8uXvtdIhI/AAAAAAAAAfk/PnQyaEr5teA/s1600-h/combas+tintin.jpg" target="_blank"&gt;&lt;img id="BLOGGER_PHOTO_ID_5034793893902492178" style="CURSOR: hand" alt="" src="http://1.bp.blogspot.com/_PLngU5D_Mgg/Rd8uXvtdIhI/AAAAAAAAAfk/PnQyaEr5teA/s200/combas+tintin.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Robert Combas, Rencontre entre Mickey et Tintin, 1977-1978&lt;br /&gt;&lt;br /&gt;&lt;img id="BLOGGER_PHOTO_ID_5034793795118244354" style="CURSOR: hand" alt="" src="http://2.bp.blogspot.com/_PLngU5D_Mgg/Rd8uR_tdIgI/AAAAAAAAAfc/2kCz6e16AWs/s200/crash+83.jpg" border="0" /&gt;&lt;br /&gt;Crash « Airplane I » 1983&lt;br /&gt;&lt;br /&gt;&lt;img id="BLOGGER_PHOTO_ID_5034793666269225458" style="CURSOR: hand" alt="" src="http://4.bp.blogspot.com/_PLngU5D_Mgg/Rd8uKftdIfI/AAAAAAAAAfU/TpX9Wtpcxtw/s200/crash+di+rosa.jpg" border="0" /&gt;&lt;br /&gt;Crash et Hervé Di Rosa, « Toujours là ! », 2004&lt;br /&gt;&lt;br /&gt;&lt;img id="BLOGGER_PHOTO_ID_5034793554600075746" style="CURSOR: hand" alt="" src="http://2.bp.blogspot.com/_PLngU5D_Mgg/Rd8uD_tdIeI/AAAAAAAAAfM/DxgxQ0MzGF8/s200/crash+fashion+moda.jpg" border="0" /&gt;&lt;br /&gt;Façade de la gallerie Fashion Moda peinte par Crash, Bronx, années 80&lt;br /&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_PLngU5D_Mgg/Rd8t9_tdIdI/AAAAAAAAAfE/1D55GZHNllc/s1600-h/crash+fashion+ny.png" target="_blank"&gt;&lt;img id="BLOGGER_PHOTO_ID_5034793451520860626" style="CURSOR: hand" alt="" src="http://2.bp.blogspot.com/_PLngU5D_Mgg/Rd8t9_tdIdI/AAAAAAAAAfE/1D55GZHNllc/s200/crash+fashion+ny.png" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Crash devant la façade de la gallerie Fashion Moda, Bronx, années 80&lt;br /&gt;&lt;br /&gt;&lt;img id="BLOGGER_PHOTO_ID_5034793211002692018" style="CURSOR: hand" alt="" src="http://2.bp.blogspot.com/_PLngU5D_Mgg/Rd8tv_tdIbI/AAAAAAAAAe0/Mkorrd0nzx0/s200/di+rosa+cul.png" border="0" /&gt;&lt;br /&gt;Hervé Di Rosa&lt;br /&gt;&lt;br /&gt;&lt;img id="BLOGGER_PHOTO_ID_5034793107923476898" style="CURSOR: hand" alt="" src="http://2.bp.blogspot.com/_PLngU5D_Mgg/Rd8tp_tdIaI/AAAAAAAAAes/w9NriwaWUiw/s200/di+rosa+diroencyclopedie.jpg" border="0" /&gt;&lt;br /&gt;Hervé Di Rosa, Diroencyclopédie, 1988&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_PLngU5D_Mgg/Rd8tlvtdIZI/AAAAAAAAAek/LnpcpwmbBMw/s1600-h/di+rosa+end.jpg" target="_blank"&gt;&lt;img id="BLOGGER_PHOTO_ID_5034793034909032850" style="CURSOR: hand" alt="" src="http://1.bp.blogspot.com/_PLngU5D_Mgg/Rd8tlvtdIZI/AAAAAAAAAek/LnpcpwmbBMw/s200/di+rosa+end.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Hervé Di Rosa, L'attaque de la rue des malheurs, 1984&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_PLngU5D_Mgg/Rd8tIvtdIYI/AAAAAAAAAec/fMJWkDsdIzw/s1600-h/di+rosa+jammes.jpg" target="_blank"&gt;&lt;img id="BLOGGER_PHOTO_ID_5034792536692826498" style="CURSOR: hand" alt="" src="http://1.bp.blogspot.com/_PLngU5D_Mgg/Rd8tIvtdIYI/AAAAAAAAAec/fMJWkDsdIzw/s200/di+rosa+jammes.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Marie et Hervé, photo Louis Jammes, 1983&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_PLngU5D_Mgg/Rd8tEvtdIXI/AAAAAAAAAeU/GP3K50RBcJg/s1600-h/di+rosa+manon.jpg" target="_blank"&gt;&lt;img id="BLOGGER_PHOTO_ID_5034792467973349746" style="CURSOR: hand" alt="" src="http://1.bp.blogspot.com/_PLngU5D_Mgg/Rd8tEvtdIXI/AAAAAAAAAeU/GP3K50RBcJg/s200/di+rosa+manon.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Hervé Di Rosa, Diroencyclopédie, 1988&lt;br /&gt;&lt;br /&gt;&lt;img id="BLOGGER_PHOTO_ID_5034792412138774882" style="CURSOR: hand" alt="" src="http://4.bp.blogspot.com/_PLngU5D_Mgg/Rd8tBftdIWI/AAAAAAAAAeM/uoBLNWeK7wI/s200/di+rosa+mimi.jpg" border="0" /&gt;&lt;br /&gt;Hervé Di Rosa, Diroencyclopédie, 1988&lt;br /&gt;&lt;br /&gt;&lt;img id="BLOGGER_PHOTO_ID_5034792339124330834" style="CURSOR: hand" alt="" src="http://3.bp.blogspot.com/_PLngU5D_Mgg/Rd8s9PtdIVI/AAAAAAAAAeE/Dfypz2wIqXM/s200/di+rosa+mique.jpg" border="0" /&gt;&lt;br /&gt;Hervé Di Rosa, Diroencyclopédie, 1988&lt;br /&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_PLngU5D_Mgg/Rd8s4_tdIUI/AAAAAAAAAd8/agYZvnOQb7M/s1600-h/di+rosa+mique+city.jpg" target="_blank"&gt;&lt;img id="BLOGGER_PHOTO_ID_5034792266109886786" style="CURSOR: hand" alt="" src="http://2.bp.blogspot.com/_PLngU5D_Mgg/Rd8s4_tdIUI/AAAAAAAAAd8/agYZvnOQb7M/s200/di+rosa+mique+city.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Hervé Di Rosa, Rise and Folk of Mique, 1983&lt;br /&gt;&lt;br /&gt;&lt;img id="BLOGGER_PHOTO_ID_5034791879562830082" style="CURSOR: hand" alt="" src="http://4.bp.blogspot.com/_PLngU5D_Mgg/Rd8siftdIQI/AAAAAAAAAdc/pcpmGxPyfpc/s200/di+rosa+raymond.jpg" border="0" /&gt;&lt;br /&gt;Hervé Di Rosa, Diroencyclopédie, 1988&lt;br /&gt;&lt;br /&gt;&lt;img id="BLOGGER_PHOTO_ID_5034791802253418738" style="CURSOR: hand" alt="" src="http://2.bp.blogspot.com/_PLngU5D_Mgg/Rd8sd_tdIPI/AAAAAAAAAdU/eLdEb45LeDM/s200/di+rosa+renes.jpg" border="0" /&gt;&lt;br /&gt;Hervé Di Rosa, Diroencyclopédie, 1988&lt;br /&gt;&lt;br /&gt;&lt;img id="BLOGGER_PHOTO_ID_5034791724944007394" style="CURSOR: hand" alt="" src="http://4.bp.blogspot.com/_PLngU5D_Mgg/Rd8sZftdIOI/AAAAAAAAAdM/2QSnjWi9QGk/s200/di+rosa+schafrazi.png" border="0" /&gt;&lt;br /&gt;Hervé et Richard Di Rosa, Tony Schafrazi Gallery, New York, 1984&lt;br /&gt;&lt;br /&gt;&lt;img id="BLOGGER_PHOTO_ID_5034791548850348242" style="CURSOR: hand" alt="" src="http://3.bp.blogspot.com/_PLngU5D_Mgg/Rd8sPPtdINI/AAAAAAAAAdE/SIJ135Cryog/s200/di+rosalouis+marie.jpg" border="0" /&gt;&lt;br /&gt;Hervé Di Rosa, Diroencyclopédie, 1988&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_PLngU5D_Mgg/Rd8sKftdIMI/AAAAAAAAAc8/lbnEyBngUu0/s1600-h/dirosaland.jpg" target="_blank"&gt;&lt;img id="BLOGGER_PHOTO_ID_5034791467245969602" style="CURSOR: hand" alt="" src="http://4.bp.blogspot.com/_PLngU5D_Mgg/Rd8sKftdIMI/AAAAAAAAAc8/lbnEyBngUu0/s200/dirosaland.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Hervé Di Rosa, Dirosa Land, 1985&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_PLngU5D_Mgg/Rd8rGvtdIKI/AAAAAAAAAbw/OtssWEoAOIE/s1600-h/finir.jpg" target="_blank"&gt;&lt;img id="BLOGGER_PHOTO_ID_5034790303309832354" style="CURSOR: hand" alt="" src="http://1.bp.blogspot.com/_PLngU5D_Mgg/Rd8rGvtdIKI/AAAAAAAAAbw/OtssWEoAOIE/s200/finir.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;« Finir en Beauté » (Combas, Di Rosa), loft de Bernard Lamarche-Vadel, Paris, juin 1981, photo Georges Rousse&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_PLngU5D_Mgg/Rd8rAftdIJI/AAAAAAAAAbo/Anz9I3mwjzE/s1600-h/finir+en.jpg" target="_blank"&gt;&lt;img id="BLOGGER_PHOTO_ID_5034790195935649938" style="CURSOR: hand" alt="" src="http://4.bp.blogspot.com/_PLngU5D_Mgg/Rd8rAftdIJI/AAAAAAAAAbo/Anz9I3mwjzE/s200/finir+en.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;« Finir en Beauté » (Combas, Di Rosa), loft de Bernard Lamarche-Vadel, Paris, juin 1981, photo Georges Rousse&lt;br /&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_PLngU5D_Mgg/Rd8q6_tdIII/AAAAAAAAAbg/lC4GHD1-3lY/s1600-h/finir+en+beaute.png" target="_blank"&gt;&lt;img id="BLOGGER_PHOTO_ID_5034790101446369410" style="CURSOR: hand" alt="" src="http://2.bp.blogspot.com/_PLngU5D_Mgg/Rd8q6_tdIII/AAAAAAAAAbg/lC4GHD1-3lY/s200/finir+en+beaute.png" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;« Finir en Beauté » (Combas, Di Rosa), loft de Bernard Lamarche-Vadel, Paris, juin 1981, photo Georges Rousse&lt;br /&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_PLngU5D_Mgg/Rd8qt_tdIGI/AAAAAAAAAbQ/geDOwQndkUA/s1600-h/haring+24+h+du+mans.jpg" target="_blank"&gt;&lt;img id="BLOGGER_PHOTO_ID_5034789878108069986" style="CURSOR: hand" alt="" src="http://2.bp.blogspot.com/_PLngU5D_Mgg/Rd8qt_tdIGI/AAAAAAAAAbQ/geDOwQndkUA/s200/haring+24+h+du+mans.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Keith Haring dans son atelier, New York 1984&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_PLngU5D_Mgg/Rd8qlvtdIFI/AAAAAAAAAbI/wamDz-07JIw/s1600-h/haring+le+mans.png" target="_blank"&gt;&lt;img id="BLOGGER_PHOTO_ID_5034789736374149202" style="CURSOR: hand" alt="" src="http://1.bp.blogspot.com/_PLngU5D_Mgg/Rd8qlvtdIFI/AAAAAAAAAbI/wamDz-07JIw/s200/haring+le+mans.png" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Keith Haring, 24 H du Mans 1984&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_PLngU5D_Mgg/Rd8qcftdIEI/AAAAAAAAAbA/RLwqFEqmHOk/s1600-h/haring+le+mans+24.png" target="_blank"&gt;&lt;img id="BLOGGER_PHOTO_ID_5034789577460359234" style="CURSOR: hand" alt="" src="http://4.bp.blogspot.com/_PLngU5D_Mgg/Rd8qcftdIEI/AAAAAAAAAbA/RLwqFEqmHOk/s200/haring+le+mans+24.png" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Keith Haring devant une peinture de François Boisrond, 24 H du Mans 1984&lt;br /&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_PLngU5D_Mgg/Rd8qW_tdIDI/AAAAAAAAAa4/XdeYPXIUO4I/s1600-h/haring+metro.jpg" target="_blank"&gt;&lt;img id="BLOGGER_PHOTO_ID_5034789482971078706" style="CURSOR: hand" alt="" src="http://2.bp.blogspot.com/_PLngU5D_Mgg/Rd8qW_tdIDI/AAAAAAAAAa4/XdeYPXIUO4I/s200/haring+metro.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Affiche dessinée par Keith Haring dans le métro parisien (station Alma) en 1984&lt;br /&gt;à l’occasion de l’exposition « 5/5, Figuration Libre, France/USA »&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_PLngU5D_Mgg/Rd8qRftdICI/AAAAAAAAAaw/k8qSyZv2508/s1600-h/haring+mur.jpg" target="_blank"&gt;&lt;img id="BLOGGER_PHOTO_ID_5034789388481798178" style="CURSOR: hand" alt="" src="http://4.bp.blogspot.com/_PLngU5D_Mgg/Rd8qRftdICI/AAAAAAAAAaw/k8qSyZv2508/s200/haring+mur.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.galerie-noir.de/wallpix/pages/haring01.htm" target="_blank"&gt;&lt;img id="BLOGGER_PHOTO_ID_5034789276812648466" style="CURSOR: hand" alt="" src="http://2.bp.blogspot.com/_PLngU5D_Mgg/Rd8qK_tdIBI/AAAAAAAAAao/SHkbEslO-9w/s200/haring+mur+berlin.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Keith Haring, mur de Berlin, 1986&lt;br /&gt;&lt;br /&gt;&lt;img id="BLOGGER_PHOTO_ID_5034789220978073602" style="CURSOR: hand" alt="" src="http://1.bp.blogspot.com/_PLngU5D_Mgg/Rd8qHvtdIAI/AAAAAAAAAag/hDGGdnWEaCI/s200/haring+petit.jpg" border="0" /&gt;&lt;br /&gt;Keith Haring, décor pour un ballet de Roland Petit.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_PLngU5D_Mgg/Rd8qA_tdH_I/AAAAAAAAAaY/_AWClC3v04Q/s1600-h/haring+shafrazi.png" target="_blank"&gt;&lt;img id="BLOGGER_PHOTO_ID_5034789105013956594" style="CURSOR: hand" alt="" src="http://2.bp.blogspot.com/_PLngU5D_Mgg/Rd8qA_tdH_I/AAAAAAAAAaY/_AWClC3v04Q/s200/haring+shafrazi.png" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Keith Haring, Tony Schafrazi Gallery, New York, 1984&lt;br /&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_PLngU5D_Mgg/Rd8p2_tdH-I/AAAAAAAAAaQ/pzJFVxpNaGo/s1600-h/haring+tseng.jpg" target="_blank"&gt;&lt;img id="BLOGGER_PHOTO_ID_5034788933215264738" style="CURSOR: hand" alt="" src="http://2.bp.blogspot.com/_PLngU5D_Mgg/Rd8p2_tdH-I/AAAAAAAAAaQ/pzJFVxpNaGo/s200/haring+tseng.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Keith Haring et Tseng Kwong Chi, performance au Club 57, NY&lt;br /&gt;&lt;br /&gt;&lt;img id="BLOGGER_PHOTO_ID_5034788641157488594" style="CURSOR: hand" alt="" src="http://2.bp.blogspot.com/_PLngU5D_Mgg/Rd8pl_tdH9I/AAAAAAAAAaI/9DA1fx7VCmM/s200/jammes+barcelo.jpg" border="0" /&gt;&lt;br /&gt;Miguel Barcelo, photographie de Louis Jammes, 1985&lt;br /&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_PLngU5D_Mgg/ScIitCRFIZI/AAAAAAAABKY/F55BExzvUgo/s1600-h/perdriolle+jammes.jpg"target="_blank"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 200px; height: 196px;" src="http://2.bp.blogspot.com/_PLngU5D_Mgg/ScIitCRFIZI/AAAAAAAABKY/F55BExzvUgo/s200/perdriolle+jammes.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5314848667348574610" /&gt;&lt;/a&gt;&lt;br /&gt;Louis Jammes, portrait d'Hervé Perdriolle, 1982&lt;br /&gt;&lt;br /&gt;&lt;img id="BLOGGER_PHOTO_ID_5034787296832724930" style="CURSOR: hand" alt="" src="http://1.bp.blogspot.com/_PLngU5D_Mgg/Rd8oXvtdH8I/AAAAAAAAAYg/-CuAfZLg-vk/s200/jammes+blais.jpg" border="0" /&gt;&lt;br /&gt;Jean-Charles Blais, photographie de Louis Jammes, 1984&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_PLngU5D_Mgg/Rd8oRvtdH7I/AAAAAAAAAYY/eZYXgj01BWo/s1600-h/jammes+book.jpg" target="_blank"&gt;&lt;img id="BLOGGER_PHOTO_ID_5034787193753509810" style="CURSOR: hand" alt="" src="http://1.bp.blogspot.com/_PLngU5D_Mgg/Rd8oRvtdH7I/AAAAAAAAAYY/eZYXgj01BWo/s200/jammes+book.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Couverture du catalogue d'une exposition de Louis Jammes au Palais des Beaux-arts de Charleroi en 1986, texte de Jim Palette.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_PLngU5D_Mgg/Rd8oIftdH6I/AAAAAAAAAYQ/JjcA_mGe4XM/s1600-h/jammes+combas.jpg" target="_blank"&gt;&lt;img id="BLOGGER_PHOTO_ID_5034787034839719842" style="CURSOR: hand" alt="" src="http://4.bp.blogspot.com/_PLngU5D_Mgg/Rd8oIftdH6I/AAAAAAAAAYQ/JjcA_mGe4XM/s200/jammes+combas.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Robert Combas, photographie de Louis Jammes, 1984&lt;br /&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_PLngU5D_Mgg/Rd8oDPtdH5I/AAAAAAAAAYI/RBVbSOF-A18/s1600-h/jammes+dirosa.jpg" target="_blank"&gt;&lt;img id="BLOGGER_PHOTO_ID_5034786944645406610" style="CURSOR: hand" alt="" src="http://3.bp.blogspot.com/_PLngU5D_Mgg/Rd8oDPtdH5I/AAAAAAAAAYI/RBVbSOF-A18/s200/jammes+dirosa.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Photographie de Louis Jammes mise en scène avec la collaboration d’Hervé Di Rosa.&lt;br /&gt;Début des années 80&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_PLngU5D_Mgg/Rd8n9ftdH4I/AAAAAAAAAYA/RgGiaUWxtOw/s1600-h/jammes+scharf.jpg" target="_blank"&gt;&lt;img id="BLOGGER_PHOTO_ID_5034786845861158786" style="CURSOR: hand" alt="" src="http://4.bp.blogspot.com/_PLngU5D_Mgg/Rd8n9ftdH4I/AAAAAAAAAYA/RgGiaUWxtOw/s200/jammes+scharf.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Louis Jammes, « Sharf Family » 1984&lt;br /&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_PLngU5D_Mgg/Rd8n1_tdH3I/AAAAAAAAAX4/HoNl7JSn5rk/s1600-h/jammes+schnabel.jpg" target="_blank"&gt;&lt;img id="BLOGGER_PHOTO_ID_5034786717012139890" style="CURSOR: hand" alt="" src="http://2.bp.blogspot.com/_PLngU5D_Mgg/Rd8n1_tdH3I/AAAAAAAAAX4/HoNl7JSn5rk/s200/jammes+schnabel.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Louis Jammes, « Schnabel Family » 1984&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_PLngU5D_Mgg/Rd8nsvtdH1I/AAAAAAAAAXo/9ouIU3TJ-E0/s1600-h/louis+jammes.jpg" target="_blank"&gt;&lt;img id="BLOGGER_PHOTO_ID_5034786558098349906" style="CURSOR: hand" alt="" src="http://1.bp.blogspot.com/_PLngU5D_Mgg/Rd8nsvtdH1I/AAAAAAAAAXo/9ouIU3TJ-E0/s200/louis+jammes.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Louis Jammes, autoportrait 1984&lt;br /&gt;&lt;br /&gt;&lt;img id="BLOGGER_PHOTO_ID_5034786356234886962" style="CURSOR: hand" alt="" src="http://2.bp.blogspot.com/_PLngU5D_Mgg/Rd8ng_tdHzI/AAAAAAAAAXY/xjeh1J1vlNA/s200/mickey+boisrond.jpg" border="0" /&gt;&lt;br /&gt;François Boisrond&lt;br /&gt;&lt;br /&gt;&lt;img id="BLOGGER_PHOTO_ID_5034786278925475618" style="CURSOR: hand" alt="" src="http://4.bp.blogspot.com/_PLngU5D_Mgg/Rd8ncftdHyI/AAAAAAAAAXQ/aFQCTx1m9ik/s200/mickey+combas.jpg" border="0" /&gt;&lt;br /&gt;Robert Combas&lt;br /&gt;&lt;br /&gt;&lt;img id="BLOGGER_PHOTO_ID_5034786158666391314" style="CURSOR: hand" alt="" src="http://4.bp.blogspot.com/_PLngU5D_Mgg/Rd8nVftdHxI/AAAAAAAAAXI/YMX2Xy38ErQ/s200/mickey+haring.jpg" border="0" /&gt;&lt;br /&gt;Keith Haring&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.munatseng.org/tsengkwongchi.htm"target="_blank"&gt;&lt;img id="BLOGGER_PHOTO_ID_5034786094241881858" style="CURSOR: hand" alt="" src="http://1.bp.blogspot.com/_PLngU5D_Mgg/Rd8nRvtdHwI/AAAAAAAAAXA/UCTJLq0Fds0/s200/mickey+tseng+kwong+chi.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Tseng Kwong Chi, Disneyland, 1979&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_PLngU5D_Mgg/ReMSEvtdJxI/AAAAAAAAAv4/aQMf0aE4DAI/s1600-h/LIBâ€¦MA~1.jpg" target="_blank"&gt;&lt;img id="BLOGGER_PHOTO_ID_5035888681066243858" style="CURSOR: hand" alt="" src="http://1.bp.blogspot.com/_PLngU5D_Mgg/ReMSEvtdJxI/AAAAAAAAAv4/aQMf0aE4DAI/s320/LIB%E2%80%A6MA~1.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Libération, 21 janvier 1985&lt;br /&gt;&lt;br /&gt;&lt;img id="BLOGGER_PHOTO_ID_5034785935328091874" style="CURSOR: hand" alt="" src="http://4.bp.blogspot.com/_PLngU5D_Mgg/Rd8nIftdHuI/AAAAAAAAAWw/wvhOsrQkQWw/s200/scharf.jpg" border="0" /&gt;&lt;br /&gt;Kenny Scharf, photographié par Tseng Kwong Chi, 1983&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_PLngU5D_Mgg/Rd8nCftdHtI/AAAAAAAAAWo/TMzVl5dfCwA/s1600-h/scharf+f.JPG" target="_blank"&gt;&lt;img id="BLOGGER_PHOTO_ID_5034785832248876754" style="CURSOR: hand" alt="" src="http://4.bp.blogspot.com/_PLngU5D_Mgg/Rd8nCftdHtI/AAAAAAAAAWo/TMzVl5dfCwA/s200/scharf+f.JPG" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Kenny Scharf « Vivo la Vivo » 1984&lt;br /&gt;&lt;br /&gt;&lt;img id="BLOGGER_PHOTO_ID_5034785724874694338" style="CURSOR: hand" alt="" src="http://3.bp.blogspot.com/_PLngU5D_Mgg/Rd8m8PtdHsI/AAAAAAAAAWg/k6kvo07Q5as/s200/scharf+fun+gallery.jpg" border="0" /&gt;&lt;br /&gt;Ann Magnuson peinte par Bruno Schmidt et Adolfo Sanchez dans une installation en lumière noire de Kenny Scharf, 1982, Fun Gallery&lt;br /&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_PLngU5D_Mgg/Rd8m0PtdHrI/AAAAAAAAAWY/ORZiOoJoDR4/s1600-h/scharf+fun+inside.JPG" target="_blank"&gt;&lt;img id="BLOGGER_PHOTO_ID_5034785587435740850" style="CURSOR: hand" alt="" src="http://3.bp.blogspot.com/_PLngU5D_Mgg/Rd8m0PtdHrI/AAAAAAAAAWY/ORZiOoJoDR4/s200/scharf+fun+inside.JPG" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Kenny Scharf « The Fun Inside » 1983&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.munatseng.org/tsengkwongchi.htm"target="_blank"&gt;&lt;img id="BLOGGER_PHOTO_ID_5034785497241427618" style="CURSOR: hand" alt="" src="http://2.bp.blogspot.com/_PLngU5D_Mgg/Rd8mu_tdHqI/AAAAAAAAAWQ/gx44mUWrgyU/s200/tseng+kwong+chi+bridge.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Tseng Kwong San Francisco, 1979&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_PLngU5D_Mgg/Rd8moftdHpI/AAAAAAAAAWI/D56OTb6Rzx4/s1600-h/tseng+kwong+chi+group.jpg" target="_blank"&gt;&lt;img id="BLOGGER_PHOTO_ID_5034785385572277906" style="CURSOR: hand" alt="" src="http://4.bp.blogspot.com/_PLngU5D_Mgg/Rd8moftdHpI/AAAAAAAAAWI/D56OTb6Rzx4/s200/tseng+kwong+chi+group.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Photo de &lt;a href="http://www.munatseng.org/tsengkwongchi.htm"target="_blank"&gt;Tseng Kwong Chi &lt;/a&gt;au Club 57, New York, 1980. Back row from left: Daty K., Keith Haring, Carmel Johnson Schmidt, John Sex, Bruno Schmidt, Samantha McEwen, Juan Dubose, Dan Friedman. Front row from left: Kenny Scharf, Tereza Scharf, Min Thometz Sanchez, Tseng Kwong Chi&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.munatseng.org/tsengkwongchi.htm"target="_blank"&gt;&lt;img id="BLOGGER_PHOTO_ID_5034785269608160898" style="CURSOR: hand" alt="" src="http://1.bp.blogspot.com/_PLngU5D_Mgg/Rd8mhvtdHoI/AAAAAAAAAWA/eL1-4Envd_A/s200/tseng+kwong+chi+ny.png" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Tseng Kwong Chi, New York, 1979&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.munatseng.org/tsengkwongchi.htm"target="_blank"&gt;&lt;img id="BLOGGER_PHOTO_ID_5034785183708814962" style="CURSOR: hand" alt="" src="http://1.bp.blogspot.com/_PLngU5D_Mgg/Rd8mcvtdHnI/AAAAAAAAAV4/rXFkp7WjdkY/s200/tseng+kwong+chi+paris.png" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Tseng Kwong Chi, Arc de triomphe, Paris, 1983&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.munatseng.org/tsengkwongchi.htm" target="_blank"&gt;&lt;img id="BLOGGER_PHOTO_ID_5034785093514501730" style="CURSOR: hand" alt="" src="http://4.bp.blogspot.com/_PLngU5D_Mgg/Rd8mXftdHmI/AAAAAAAAAVw/nxrnls59nUE/s200/tseng+kwong+chi+world.png" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Tseng Kwong Chi, New York, 1979&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_PLngU5D_Mgg/Rd8mSftdHlI/AAAAAAAAAVo/FWQnklGyhWo/s1600-h/tseng+NewAttitudesParisNewYork200.jpg" target="_blank"&gt;&lt;img id="BLOGGER_PHOTO_ID_5034785007615155794" style="CURSOR: hand" alt="" src="http://4.bp.blogspot.com/_PLngU5D_Mgg/Rd8mSftdHlI/AAAAAAAAAVo/FWQnklGyhWo/s200/tseng+NewAttitudesParisNewYork200.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;“New Attitudes, Paris/New York”, Pittsburgh Center for the Arts, Pittsburgh, été 1984.Exposition orgnisée par Sande Deitch et Tseng Kwong Chi : Kenny Scharf et son bébé, Louis Jammes, Rémi Blanchard, Keith Haring, Tseng Kwong Chi, Dan Friedman, Hervé Di Rosa et Samantha Mac Ewen, photo &lt;a href="http://www.munatseng.org/tsengkwongchi.htm"target="_blank"&gt;Tseng Kwong Chi&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8530751255749067668-5963814904026239257?l=figuration-libre-paris-ny.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://figuration-libre-paris-ny.blogspot.com/feeds/5963814904026239257/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8530751255749067668&amp;postID=5963814904026239257' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8530751255749067668/posts/default/5963814904026239257'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8530751255749067668/posts/default/5963814904026239257'/><link rel='alternate' type='text/html' href='http://figuration-libre-paris-ny.blogspot.com/2007/02/figuration-libre.html' title=''/><author><name>Hervé Perdriolle</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_PLngU5D_Mgg/ReBuE_tdJqI/AAAAAAAAAsg/jol47o1h7h4/s72-c/arc+blanchard.jpg' height='72' width='72'/><thr:total>0</thr:total></entry></feed>
